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Posts tagged ‘time magazine’

How Many Female Authors Made The Time List?

Doris Lessing is a woman.

The Golden Notebook is one of 20 books written by female authors on the Time list. I believe I’m correct in saying that Virginia Woolf is the only author with more than one novel on the list (Mrs. Dalloway and To The Lighthouse) so, that said, there are 19 female writers represented.

I’ve heard many people criticize the list for not having enough female representation. And, to be honest with you, I expected there to be less female writers on the list when I actually counted them.

Compare the 20 on the Time list with the Modern Library Best 100 Novels list (the board’s list)–which, by my count, had only 9 novels written by female writers–and the Time list appears to be more representative.

But, still, is 20 enough? Or do you think Lev Grossman (read my interview with him) and Richard Lacayo were biased towards male authors when they were selecting the novels?

By my calculations, here are the 20 novels on the Time list written by women.

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101 Books FAQ

Before I start today’s post, I’ll let you know that Watchmen and Lolita won the “runoff” voting yesterday. So that means the next five, in no particular order, will be Never Let Me Go, Animal Farm, Beloved, Watchmen, and Lolita. Thanks for voting!

Now, on to today’s regularly scheduled post…

After the Freshly Pressed feature on Friday, I’ve had a lot of new visitors and subscribers over the weekend.

And since I’ve been meaning to do this for a while, I thought now would be a great time to write a 101 Books FAQ–many of which are questions I’ve been asked, some of which are questions I ask myself when I interview myself. You don’t do that?

I’ll make this a new “page” at the top of the blog menu, if you’re interested in taking a look at it in the future.

So here you go:

What’s the point of 101 Books?

Other than reading through 101 books, all on Time Magazine’s list of ALL-TIME novels published since 1923? I like to read. I like lists. I like big projects. I like blogging. Why not? When I started the blog, I thought I’d simply write a “review” of each book, with a related post here and there, maybe once a week. But the blog slowly morphed into a 5-day-a-week deal, and I’m loving it.

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Q&A With Lev Grossman From Time: Part 2

Today’s post is the second part of my Q&A with Lev Grossman, senior writer and book critic at Time Magazine. Lev was one of two critics who selected the Time 100 list. For a recap, check out part one.

On with the questions.

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Q&A With Lev Grossman from Time: Part 1

Today’s a cool day at 101 Books.

Lev Grossman was kind enough to answer a few of my questions about the selection process for the Time Magazine All-Time 100 list. Lev is a senior writer at Time and one of the two book critics (the other, Richard Lacayo) who selected the entire Time 100 list.

Not only that, but Lev is a successful author himself–having now written four novels. Last Tuesday, The Magician King–the follow-up to Lev’s widely-read The Magicians novel–was released. It’s been described as Harry Potter for grown-ups with a little Narnia thrown in there.

Anyway, in the middle of all that, Lev took the time to answer a few questions about the Time list, the selection process, the books that were excluded, and so on.

Part 2 comes tomorrow. I’ll also include a few of my thoughts after each set of questions.

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Repost: Jonathan Franzen’s 10 Rules of Writing

This week, we bring you “101 Books’ Greatest Hits.” Today’s post was freshly pressed at WordPress on March 15, 2011 and has, by far, more page views and comments than any other post on this blog. Many of you might have found this blog because of this post. Here’s the original post. 101 Books will return live on Monday, July 11. 

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Last week, I posted about George Orwell’s rules for writing, so while I’m finishing book #12: The Corrections I thought this would be a great opportunity to check out what Jonathan Franzen has to say on the subject.

This list came from The Guardian:

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I’ll Rank Them For You, Time Magazine

You may or may not be aware that Time Magazine didn’t rank the books on their top 100 list. So, as I continue to barrel through these novels, I’m naturally inclined to compare them to each other. It’s human nature, I guess.

So here’s a new aspect of the blog. Henceforth, dear friends, I shall begin ranking these tomes. After I read each book, I’ll ask myself one question: Did I enjoy this book? That’s it. If I enjoyed the book, I’ll rank it high. If I hated it, or if I just didn’t like it as much, then I’ll rank it accordingly.

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Book #8: I, Claudius

Quick Facts

  • I, Claudius is the first in a series of two novels about the Roman Emperor Claudius. The second, Claudius the God, covers the time period of Claudius’ reign.
  • The book is ranked 14th on the Modern Library’s list of top 100 books. Time Magazine didn’t rank the books on their list.
  • While a movie has yet to be completed about the novel, the BBC featured I, Claudius as a television mini-series in 1976. The series won three Emmys in 1978.
  • The Epic That Never Was is a 1965 documentary about an I, Claudius movie that was aborted in 1937.  The documentary includes clips of the surviving footage.
  • I, Claudius author Robert Graves produced 140 works, including many poems, before his death in 1985.
  • Graves’ most popular works include Goodbye to All That, his memoirs from World War I and The White Goddess, a book of essays on poetry.

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Book #4: Lord of the Flies

Quick Facts

  • Lord of the Flies only sold 3,000 copies before going out of print in 1955. But by 1962, the novel had sold over 65,000 copies and was required reading at many colleges.
  • Stephen King has been heavily influenced by the novel. In fact, “Castle Rock”—the town that appears in many of his novels—came from the island landmark in the book.
  • The connections between Lord of the Flies and the television show Lost are too many to count. To name a few: the island, the monster, two dueling leaders (one of whom is a hunter), the overweight comic relief character. The first season of the show drew heavily from the novel.
  • Lord of the Flies author, William Golding, won the Nobel Prize for Literature in 1983.

My Thoughts

Lost drew heavily from Lord of the Flies.

I find it interesting that three of the first four novels I’ve read during this project involve adolescent protagonists. But that’s really all Lord of the Flies has in common with The Catcher in the Rye and To Kill a Mockingbird.

The story is a bit depressing. Set in World War II, a group of schoolboys–who have been evacuated out of England—crash onto a deserted island. What starts as freedom and maybe every boy’s dream (an island to explore, without grownups!) slowly devolves into chaos, mutiny, and even murder.

Two leaders emerge: Ralph, who is intent on getting off the island by keeping a signal fire going no matter the cost, and Jack—the more aggressive and vocal of the two—who becomes the group’s face-painted hunter and eventually overthrows Ralph as leader.

In a nutshell, the story demonstrates two of man’s competing tendencies: order versus chaos. At first, the boys follow Ralph’s lead. He blows a loud conch to summon everyone when he chooses to have an assembly. They discuss matters of the island—food, shelter, and fire.

The longer the boys stay trapped on the island, the more chaos that follows. Jack and his group break away from Ralph and Piggie, who is the voice of reason, and begin painting their faces, hunting pigs, and participating in “tribal dances”—during which one boy, Simon, is killed. They begin hunting—to kill—Ralph and any other stragglers that haven’t joined their club. It’s no longer play time on the island.

There’s an interesting tension between this disjointed civilization the boys have created for themselves and the fact that they are in fact still young boys. You almost forget that you are reading about a bunch of kids. They exist in a world of life and death, but issues like imaginary monsters still haunt them.

One of the youngest  sees a “monster” early in the story. Slowly, they all begin to believe a monster lives on the island. This beast turns out to be the dead corpse of man who parachuted onto the island and got hung up in a tree. The wind knocks the parachute around and, at night, seems to be a breathing beast.

Jack offers a sacrifice, a severed head of a sow, to the imaginary beast. This
sacrifice is “The Lord of the Flies,” a smiling head that attracts flies, of course. But, more than that, it represents the evil that has overtaken the island. In one scene with Simon, he imagines the head talking to him, telling him that evil lies in all of us and to have fun with it:

There isn’t anyone to help you. Only me. And I’m the Beast. . . . Fancy thinking the Beast was something you could hunt and kill! . . . You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are the way they are?

There’s a load of symbols here that point to Satan’s influence on man. We all have the potential to be evil. Simon resists, but ends up being killed by Jack and his savages.  But Jack gives in, illustrating how out of hand we can get when we follow that path.

Golding’s writing is memorable. If you’re not into overly-descriptive writing, you may find the novel a bit tedious at times. I’ll be honest, I did.  It’s not uncommon for Golding to take a couple of pages just to set up a scene. Here’s an example:

The edge of the lagoon became a streak of phosphorescence that advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on.

My favorite novels have a fair amount of dialogue with descriptive paragraphs seamlessly woven throughout. With Lord of the Flies, I felt like Golding was almost too descriptive. Some critics may laugh at a statement like that, but I’ve read a lot of novels and sometimes I get bogged down by rereading sentences two or three times. That was the case, at times, while I read this novel.

Other Stuff

The Meaning: As I mentioned above, the decapitated pig’s head on a stick is the Lord of the Flies and symbolically represents the presence of evil on the island.

Highlights: I loved the final scene of this book. It’s a beautiful exchange between Ralph and the naval officer who rescues them. Maybe it was the officer’s patronizing tone, but, for the first time in the novel, I became vividly aware that these really were just kids.

Lowlights: I’m not a fan of some of the overly descriptive sections of the book, but who am I to question a Nobel Peace prize-winning author? Kurt Vonnegut says every sentence in fiction should advance the story. Sometimes, I got bogged down in Golding’s descriptions, anticipating the next set of dialogue or forward movement in the plot. It was distracting.

Memorable Line: I thought this piece of dialogue, quoted by Piggie right before he died, sums up the main tension of the novel: “Which is better–to have rules and agree, or to hunt and kill?”

Final Thoughts: I enjoyed Lord of the Flies, but I wasn’t overwhelmed by it. Would I read it again? Doubtful. In just 200 pages, Golding tells an involved and layered story. At times, I couldn’t put the book down. And, at other times, I was just ready to finish it and move on to the next novel. The story is a half a century old, but it still influences both literature and television today. It’s definitely worthy of Time‘s list, but maybe it’s just not my cup of tea.

Up Next: Gone With The Wind by Margaret Mitchell

Question: Lord of the Flies fan? Why or why not did you enjoy the novel?

Why Read?

So what’s the point of this blog quest? Several reasons, really.

Self Improvement: I’ve been on a self-improvement kick over the last few years–taking public speaking classes, running half-marathons and marathons, and now I want to read a ton of books. I think it’s just continuing a trend in my life. Of course, I’ve still got a lot of stuff to work on.

Do I have the time? Not really. I’m at work 45 hours a week, at least. I have a three-month old. I’m training for a marathon right now. In between all that, I can find an hour at lunch every day, and maybe an hour at night while the baby is going to sleep to read. That’s all I got, max, on an ideal day.

But I feel like reading just makes me smarter, and it makes me a better writer. It’s like eating healthy or exercise–you can come up with a lot of reasons not to do either, but if you really want to do it then you will make time for it. If reading makes me a better writer–and I believe it does–then I need to make time for it, no matter how hectic life is.

Why fiction? I used to be one who rarely read fiction. I was a non-fiction guy–memoirs, creative nonfiction, biographies, inspirational Christian stuff, self-help, whatever. Those books are all well and good; I’ve read them for years and will continue to read them. But the best writers are fiction writers.

Think about the greatest authors of all time. Who comes to mind? Probably not a lot of nonfiction guys. And this comes from a guy who spends his week writing nonfiction articles. You can learn a lot from fiction when you read the good stuff, not the grocery store paperbacks. It’s not just escapism.

And, then…why not? If I’m going to read books anyway, why not read the best? I’ve always loved lists, so this just gives me one to follow for a couple of years.

Why Time Magazine? In 1998, The Modern Library published a list of the best 100 novels since 1900. I could’ve gone with that one. But while researching this idea, I found a lot of people on the internet were blogging about reading through the Modern Library list. There truly is nothing new under the sun. But I wanted to do something different. Plus, I honestly like Time‘s list better…it has a few more books that I haven’t heard of, and there’s some mystery in that for me. So Time it is.

There you go. Just a few random thoughts on this little quest.

Book #1: The Catcher In The Rye

Quick Facts:

  • The Catcher in the Rye is J.D. Salinger’s only published full-length novel.
  • Around 250,000 copies are sold each year, with 65 million copies sold total.
  • According to Modern Language Review Journal, the novel was the most censored book in high schools and libraries between 1961 and 1982.
  • The novel has influenced notorious criminals (Mark David Chapman and John Hinckley Jr.) as well as former presidents. George H.W. Bush said it was one of the books that inspired him.
  • Sean Connery’s reclusive character in the movie Finding Forrester was loosely based on The Catcher in the Rye author J.D. Salinger.

My Thoughts:

This is the first time I’ve ever read The Catcher in the Rye. How is it that a 34-year-old writer with an English degree has never read one of the classics of American Literature? I don’t know. It’s shameful, really. That’s why I thought I’d start this 101 book journey by reading this Salinger classic.

Published in 1951, The Catcher in the Rye is one of the most controversial and most-censored novels of all time. The controversy around the book is for a couple of reasons:

First, crazy people love it. John Lennon’s murderer—Mark David Chapman—was fascinated with the book. A copy of the novel was found in his possession the night he shot John Lennon—with the words “This is my statement” and Holden’s name written inside the book. John Hinckley Jr. was also a big fan. Police found the novel in his hotel room after his assassination attempt on Ronald Reagan.

Second, parents of teenagers historically hate it. It’s a book about a vagabond, rebellious, drinking and smoking 16-year-old boy, Holden Caulfield, who goes on a three-day romp through New York City after he is kicked out of an elite prep school. Since the protagonist is a teenager, teenagers would naturally be drawn to the book.

Until recently, though, when teachers assigned the book as school reading, all hell would break loose. That’s mainly because the language in the novel makes The Sopranos look like an episode of Barney. For a book published 60 years ago, that’s saying something.

The book is a quick, easy read. Holden narrates in a casual, stream-of-consciousness style, which adds to the authenticity of his character. He’s a teenager, and he narrates like a teenager.

Teenage angst. Loneliness. Relationship frustration. The no-man’s land that lies between childhood and adulthood. These are the themes of Salinger’s novel.

The Catcher in the Rye is punk rock in novel form. As a Generation Xer, the book feels almost like I’m reading through a Nirvana album—which makes it easy to understand how it’s been so successful through multiple generations. It’s timeless. Really, Salinger’s novel was punk rock before punk rock.

And what teenager hasn’t felt like Holden Caulfield? Holden is a teenager stuck between the authenticity of childhood and the “phoniness” of adulthood. He’s a rebellious kid with the mouth of a sailor and the propensity for dropping GD in every other sentence. He’s also holding onto his childhood—his favorite person in the world is his younger sister, Phoebe—while finding fault in almost every adult he encounters.

He reminds me of the person who is quick to point out the faults of others but never sees anything wrong with himself. For instance, he repeatedly points out the fakeness of other people (his date’s ex-boyfriend, his teachers, and adults in general), but he also admits to being a fabulous liar and seems overly concerned with his appearance (e.g. the orange hunter’s hat).

But that’s the beauty of the novel: Salinger wrote Holden’s character in such a way that he is always true to the complex nature of himself—an immature teenager trying to find his way in a fast-moving world (both literally and figuratively)—with all of his contradictions, inconsistencies, and hypocrisy in tow.

Other Stuff

The Meaning: I kept waiting on the significance of the term “The Catcher in the Rye.” Holden explains it in Chapter 22. In short, he’d love to save kids from the edge of a cliff that is adulthood.

I keep picturing all these little kids playing some game in this big field of rye and all.  Thousands of little kids, and nobody’s around – nobody big, I mean – except me.  And I’m standing on the edge of some crazy cliff.  What I have to do, I have to catch everybody if they start to go over the cliff – I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them.  That’s all I do all day.  I’d just be the catcher in the rye and all.  I know it’s crazy, but that’s the only thing I’d really like to be.

Highlight: I loved this bit of insight from Holden as he was getting ready to leave Pencey Prep after getting kicked out because of grades. Profound stuff, I thought. Do you ever regret not being able to tell a person—or, in this case, a place—goodbye?

What I was really hanging around for, I was trying to feel some kind of a good-by.  I mean I’ve left schools and places I didn’t even know I was leaving them.  I hate that.  I don’t care if it’s a sad good-by or a bad good-by, but when I leave a place I like to know I’m leaving it.  If you don’t, you feel even worse.

Lowlight: The fact that The Catcher in the Rye was J.D. Salinger’s only published full-length novel. He did publish many short stories and novellas, but he spent his last 50 years in near total seclusion from the rest of the world. This brings up the question: When you have a talent like Salinger, do you have a responsibility to share that talent with others?

Memorable Line: “All morons hate it when you call them a moron.” –Holden Caulfield

Final Thoughts: The Catcher in the Rye is a classic of modern American literature. If you want to consider yourself “well read,” you’ve got to read it—which means I wasn’t well read until a few days ago.

Up Next: To Kill a Mockingbird

Have you read The Catcher in the Rye? If so, what are your thoughts?

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