This is one of my favorite scenes from the three Lord of the Rings movies. This one comes from The Two Towers, and I know it has a little Hollywood screenwriting trickery here.
Though a good portion of Sam’s speech does actually appear in the novel, this particular scene does not. In fact, Sam’s monologue about stories happens in Shelob’s cave–correct me if I’m wrong.
But, still, it’s such a great scene. And a lot of the dialogue is actually in the book.
Such a great, great film. Enjoy this classic scene from The Two Towers. Read more
It’s a dream come true for a love of LOTR and Narnia fans—that is, if the movie turns out to be good.
That movie is an upcoming drama called Tolkien & Lewis. The film will cost around $18 million to make and will be a “drama fantasy set in war torn Britain in 1941 revealing the faith, friendship and rivalry between J.R.R. Tolkien and C.S. Lewis.”
The film will be directed by Simon West, who also directed The Expendables 2 and Con Air. Um, what? How many explosions will be in this film? Let’s just hope he doesn’t cast Nicolas Cage. Read more
Here’s your chance to be in the pictures.
Casting for a movie about Ernest Hemingway is about to get underway in Miami and Los Angeles. According to Project Casting, Anthony Hopkins has been rumored to play Hemingway.
What type of roles are they casting for?
We’ve all had the experience of reading a novel, loving it, then being terribly disappointed by its film version.
In my 6 Things That Suck About Reading post last week, I listed crappy movie adaptations as one of the things that irked me.
But in defense of the screenwriter, translating a book to film isn’t easy. Though I believe the screenwriter should respect the novelist’s intent in writing the story, the screenwriter also is working in an entirely different art form than the novelist. Changes happen.
Take Possession, for example. This 2002 movie, written and directed by Neil Labute, was based on the A.S. Byatt book published in 1990. The movie was widely criticized for the amount of freedom LaBute took in changing the story. But, as Labute says below, many of his changes were based on A.S. Byatt’s notes on earlier versions of the screenplay.
From The New York Times:
I don’t watch a lot of movies. I want to say it’s just a season of life I’m going through, but I don’t think I’ve really been a huge movie watcher since high school.
I don’t avoid them, and don’t dislike movies, but I just don’t feel compelled to watch too many. In the last year, I’ve watched maybe 6 or 7 movies in the theater—and two of them (Planes and The Lego Movie) were with my 3-year-old.
So if I watch that few feature films, I can say with absolute certainty I have no idea the last time I watched a made-for-television movie.
Don’t they usually suck?
I don’t know. What I do know is that horribly long lead-in was meant to introduce the made-for-television version of Their Eyes Were Watching God. The film aired on ABC and was produced by Oprah Winfrey.
Halle Berry played the female protagonist, Janie Crawford. Now I get that Zora Neale Hurston describes Janie Crawford as an attractive woman in the novel, but Halle Berry’s level of attractiveness? I didn’t have that in mind. Wow.
So to recap today’s post:
Philip K. Dick might have believed he was Elijah, and he might have believed he was the disciple Thomas, and he might have believed he could communicate with a pink beam of light—yes, he was a little “out there”—but there’s no disputing that the man was the Energizer Bunny of science fiction writing.
When he died at age 53 in 1982, Dick had written 44 published novels and 121 short stories. What might be even more impressive than that was the amount of Dick’s novels that were turned into feature films. Of course, he didn’t write the screenplays, but his novels were the basis of many productions in Hollywood.
Here’s the list of movies based on Dick novels, from Wikipedia:
Here’s the thing about movies.
If you’re going to remake a film, a film that won multiple Academy Awards and received rave reviews, then you better do an unbelievably good job.
That’s why I believe the Gatsby film was a success. The previous film versions of the classic novel sucked, so the bar was set pretty low when Baz Luhrmann got around to making the movie. It wasn’t just better than previous Gatsby movies–it was a very good movie on its merit.
On the flip side, what about All The King’s Men?
With the novel, which is also my current read from the Time list, Robert Penn Warren won the Pulitzer in 1947. Playing off that success, Robert Rossen directed the 1949 movie, which won three Academy Awards, including the big one—Best Picture.
Here’s a trailer for the 1949 film, which starred Broderick Crawford.